May 30
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 31
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
May 31
Shot with a pixelated W595 Sony Ericsson phone camera, Dry Leaf stands as a palpable salvo on cinematic degrowth. While director Alexandre Koberidze teeters on the edge of a formal gimmick to challenge technological tyranny, his characters swim against the false currents of modern life.
