
April 22
Trash Cult Tuesdays: Terminal USA
Jon Moritsugu's Terminal USA is a crucial piece of 1990s alternative cinema—smart, shocking, and one of the most deranged films to ever be funded by American taxpayers
April 22
Jon Moritsugu's Terminal USA is a crucial piece of 1990s alternative cinema—smart, shocking, and one of the most deranged films to ever be funded by American taxpayers
April 22
It’s about teen love. It’s about teen dreams. It’s about digging your own grave with an electric guitar.
April 23
Widely considered the crown jewel of Slovak animation, The Bloody Lady is an improbable and bewitching fusion of gothic horror and classic children’s animation.
April 23
With her first dramatic feature, writer-director Karen Chapman creates an emotional and authentic study of a single mother trying to hold herself together.
April 24
The ultimate disaster film parody.
April 24
With Toronto’s iconic modernist waterfront park, Ontario Place, set to close for redevelopment, an eccentric yet lovable group of park regulars and staff members live out its last year open to the public.
April 25
Beautifully shot on 16mm by filmmaker Trương Minh Quý, Việt and Nam is like panning for gold. Its true value surfaces after you dig and let the water wash away the dirt.
April 25
Widely considered the crown jewel of Slovak animation, The Bloody Lady is an improbable and bewitching fusion of gothic horror and classic children’s animation.
April 26
Beautifully shot on 16mm by filmmaker Trương Minh Quý, Việt and Nam is like panning for gold. Its true value surfaces after you dig and let the water wash away the dirt.
April 26
Widely considered the crown jewel of Slovak animation, The Bloody Lady is an improbable and bewitching fusion of gothic horror and classic children’s animation.
April 26
Mitchell “Menace” Dubois, a Métis slacker with a heart of gold, attempts to achieve his dreams of becoming a big time rapper in Saskatoon, Saskatchewan with some help from his cuzzin & ragtag group of friends, lovers, and enemies.
April 26
Beautifully shot on 16mm by filmmaker Trương Minh Quý, Việt and Nam is like panning for gold. Its true value surfaces after you dig and let the water wash away the dirt.